Creative Practice – Part II
Creative practice is incorporated in a theme that I have often spoken of on the blog, this is the idea of the Artist Date. The issues I spoke of in the previous post speak directly to the value of the artist date. Why, because when you are on an artist date, you are a lot more present and you are consciously seeking things that are going to fire your inspiration. You are putting yourselves in environments that you love, or sometimes that challenge, but generally are going to ignite your creative juices.
So to return to how one works up in image, in my own art practice I will often put an image into Photoshop and then play around with it until it feels right, and I may or may not do drawings from this. Sometimes I will print the images out and then do draw on top of the printed images for things that I haven’t been able to deal with in the computer space.
When I’m happy with the composition, I will then begin drawing the image up on the canvas.
Here is the finished painting…
Another element of art practice that relates directly to creating images is looking at other art work, whether this is work of the great masters, children’s art, or works on display in a local gallery. Our inspiration comes from many sources. We can look at how another artist has dealt with, for example, light on fabric and apply the same principles in our own work. In fact in Europe there is a time honoured tradition for artists to go into galleries and make sketches and copy the works of the great masters in order to learn and study how they executed what they did. This makes life a lot easier, because you don’t have to keep reinventing the wheel. So we all have much to be thankful for in terms of our predecessor artists and their contribution to our understanding of how to create an art work.
This Weeks Question: Have you identified the elements of your creative practice that work the best for you?
Look For Next Week’s Post: Art Processes – a look at uncertainty as part of our art practice.